![]() It’s rich, loud, and totally satisfying, so it delivers good value in terms of sonic quality alone. There are many reasons why the FabFilter Pro-L could deserve a spot on your mastering toolbox. “Intuitive” is a word that frequently comes up in reviews, with both pro and hobbyist users praising its unique algorithms and versatile controls as well. Some people consider the user interface “revolutionary,” and the metering feature is pretty much untouchable. I’ve seen the FabFilter Pro-L called a “game changer” in some parts of the internet. Intelligent channel linking User impressions.Versatile loudness metering supports most common standards.It has features like precision controls and an intuitive user interface, so the Pro-L manages to sound great regardless of the source material. ![]() It’s suitable for a wide variety of mastering and mixing applications. In terms of transparency, Xenon is pretty much the one to beat.įab-Filter’s Pro-L is perhaps the first choice that comes to mind of anyone looking for an innovative true peak limiter. The transient stage is also among the most flexible we’ve seen, enabling percussive elements to retain their punch. We were especially impressed with the leveler and stereo unlink controls that allow the signal to be cranked without introducing distortion. PSP Xenon has a serious combination of features and functionality that makes it a standout among the current crop of limiter plug-ins. Xenon is so transparent that it is frequently used in productions wherein maintaining the integrity of the source audio is of utmost priority, such as in jazz or classical music recordings. It is also lauded for its intuitive design, which shares many of the same features and functionalities as other PSP products. PSP Xenon is frequently praised for being clean and transparent, and its ability to preserve the most delicate elements of a mix.
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